(Left and Right are superimposed). For decades our PRO headphones have been the reference for professional sound in recording studios all over the world. Its build quality is certainly useful but the power rating is what makes it not that suited. This is illustrated in the picture below. Treble sounds a bit more subdued because the upper bass/lower mids peak ‘mask’ the upper mids and treble somewhat. ​​​​​​​. A small (+3dB) peak is now in its place filling in much of the ‘void’ in the lower treble. The Pro82’s are in setting ‘1’ (least amount of bass) and the COP in setting 2. A guide to reading frequency response graphs of headphones and IEMs. The variable noise reduction system makes CUSTOM Studio an ideal tool for recording applications within the studio. This makes it less suited for studio usage where higher impedances are more common and higher power ratings are more practical. EDT 770 V pads, toilet paper and some 1mm felt (crafts store) or washable kitchen wipe (used here) and some double sided tape is needed. Then you can switch to the pink noise technique and the adjustments should be easier. Accessories: 1.5m terminated in 3.5mm TRS with screw-able 6.3mm adapter + 1.3m headset cable with microphone and 1-button remote with a 3.5mm TRRS plug (CTIA compliant), 16 custom ‘shields’, allen wrench. They are well-built and offer great comfort if you like a tight fit. About 5dB more (lower) bass is very audible. The distortion is about the same as with the original pads. Isolation: decent, 18dBA Headphone connector: 3.5mm TRS socket with a small slot. The CUSTOM Studio features our cutting-edge professional 80 Ohms drivers, which are hand-made in Germany. Extremely quick and precise in its response, these drivers are accurately replaying frequencies anywhere between 5 to 35,000 Hz. The lack of ‘presence’ and ‘clarity’ thus. Fortunately the DT770 pads fit (although fiddly to get on) which improves on the negatives of the stock COP. The bass response is elevated for most of the measured pairs, somewhat like this particular one shown on graph, but most pairs are lacking sub bass extension. Comfort. Left and Right. 10% is audible but one has to remember this is measured at 90dB SPL so will be lower at more normal levels. As you can see here, the 250 Ohm version says 250 Ohms on the side, and has a coiled cable. Nom. The Custom Studio headphones have a clear, power sound similar to high quality home theater speakers. Bass is a bit bloated and ‘fat’ in this position. The gaming version has a microphone connected to the plug with a mute button and volume control in the cable. Ramblings. Comparison Tools. The ‘beyer treble peak’ appears as well though. Beyerdynamic also boasts that these headphones have a CUSTOM STUDIO Sound Sliderallowing the listener to switch from a linear to vibrant bass frequency response. What remains is the very dynamic sound and the tonal accuracy of the mids. In fact the treble is bordering on being somewhat sudued. But is this just a gimmick or is it a truly useful feature? Sound Coupling To The Ear Below the same distortion plot but with the vertical scale in percentages instead of level differences. Mind the orientation of the ring. home, published: Aug-26-2018, updated: Apr-8-2019. The 100μs pulse almost reaches the applied signal and shows a fast response. Below the frequency response of the current Custom One Pro Plus. That’s why there is a ‘studio version’ I reckon. The cable feels ‘cheap’. Every musician needs a pair of studio headphones to shape their ... Beyerdynamic brings us the ... of bass to complement the gentle U-curve of the t402v’s frequency response graph. Those pads will set you back another € 20.- to € 25.- though. A ‘horizontal‘ frequency response curve on the shown frequency response plots on this website thus indicates a perceived ‘flat’ tonal signature. A guide to reading frequency response graphs of headphones and IEMs. Get the guaranteed best price on Studio Headphones like the Beyerdynamic Custom STUDIO Headphones at Musician's Friend. This means that a ‘dip’ is audible in the upper mids/lower treble. Below the CSD of the COP (setting 2). Active Noise Cancelling​​​​​​​Bluetooth®CustomisableSound Personalization, Broadcast & CameraLive on Stage​​​​​​​Presentation / Speech, Wireless MicrophonesWireless Conference SystemInstalled Sound MicrophonesTour Guide SystemInterpreter SystemsSpeakerphone, Event CentresGuided ToursHouses of WorshipJusticeLocal Authorities, Assistive Listening SystemInstalled MicrophonesInterpreter Systems, Wireless Conference Systems ​​​​​​​Wireless Microphones, Company PortraitDirectionsEventsMission Statement. Driver size: ø 40mm Ensure the wires are ‘free’ and note the small tab on the baffle and ensure this fits in the notch in the cup. Deviations in different severities at different frequency bands have an effect on the sound character. Excellent clamping force and sits on the head quite well even when moving around. For Hi-Fi afficianados there is only one setting usable which makes the variable bass setting not really valuable/usable for those looking for realistic sound. I do not use smoothing because some info about sound quality is lost when plots are smoothed. When the cup is held upside down the baffle with driver simply drops out. The first position could be interesting in a studio when monitoring. The 440Hz square-wave also is quite good. Frequency extends slightly better and is on the proper level. The closed-back Beyerdynamic 770 Pro shows about 6dB of variance at 30Hz depending on the individual, which is significant. However, wearing glasses or hair between pads the head or bone structurede may affect bass response. For owners of the Custom One Pros, getting to choose your frequency response on the fly is an enormous check in the "pro" column. The COP (Custom One Pro) retails for around € 150.-. but got this one for half the price second hand. There also is a black velour version called the EDT 770 VB which looks nicer. The 40Hz squarewave reproduction is close to ‘perfect’. Now the individual plies need to be pulled apart. The COP had worn and flaking pads (second hand) and the COPP had new pads (and had many hours on it already). Enough adjustment possibilities. NO SMOOTHING is applied to the shown plots. The Audio-Technica ATH-M50x have the same studio design as the ATH-M40x. Measured at Sonarworks lab with proprietary compensation curve. Setting 4 has too much mid bass boost (+9dB) which bleeds into the mids making the sound ‘fat’. Don't worry, these graphs are going to change to something a bit easier to read in the future. Usage: Home, Studio, Portable Just like setting 1 I see no reason to use this setting for ‘Hi-Fi’ sound reproduction. Not to be compared directly to AFR measurement from other sources. Shure SRH840 ($89) Graphs 101: How to Read Headphone Measurements . You can use the disc as a template. Thick armed glasses leads to an audible loss of lows (5dB lower) but still sounds full and fairly extended. Below the frequency response of the COP in setting ‘2’ (Left, Right)Channel matching is good above 300Hz. Might be a small peak in the lower/mid treble, but not that noticeable and well balanced by the strong bass. For product advice prior to purchase, for questions about features and application of our products and for repair or warranty issues. (website links), Foobar 2000 for Dummies (Part 1) – General Setup, Foobar 2000 for Dummies (Part 2) – Playing DSD – New SACD plugin (0.9.x and 1.x.x Series), power, efficiency, levels, balanced, impedance. The headband and gimbals construction is the same as the DT770-990 series and works well. In general, we like the look and feel of the Beyerdynamic T51i’s. That leaves only one question: Which headphones are the right ones for you? The plot below is smoothed (psychacoustic smoothing) which gives a better idea of how the tonal balance changes.Bass levels around 100Hz are lower. CUSTOM Style Furthermore you can choose from different optional rings, additional design covers, ear- and headband pads in our accessories section. As this is a dynamic headphone the frequency response might be amplifier output resistance dependent when certain higher output resistance amplifiers are used. The Beyerdynamic Custom One Pro is a closed over-ear (circumaural) dynamic headphone. Reference headphones for control and monitoring purposes (closed). The first and last setting may be usable for monitoring purposes only. Simply stick the screwdriver between the ring and the cup. The 2nd harmonic distortion drops below 1% at 70Hz but remains kind of high till 2kHz and still above the limit of my measurement rig. Look for a spot where there is some room to stick the screwdriver in. Aside from a small correction… This makes instruments less ‘detailed’ and less ‘refined’. Nicely done. I see no reason why someone would ever want to use this setting for hifi usage. Titanium-coated acoustic fabric and carefully selected precision-woven textiles round off the balanced sound quality of these dynamic studio headphones. This basically leaves 2 usable settings for music lovers. The Beyerdynamic Custom One Pro (Plus) is a reasonable priced closed headphone with an ‘open’ sound. Make sure you get the 80 OHM version of these or you may struggle to find a headphone amp that will give you enough gain for these headphones. Below the response of the HD630VB in center position vs the COP (setting 2) vs the modified COP with DT770 pads (setting 2). : 116dB Cut out a small circle about the size of the tube in the middle of the cup. Below an aid to help determining the sound character of headphones with relation to the frequency response. (Left and Right are superimposed)The CSD is actually quite impressive. Treble is improved and more detailed and nuanced with more air. The biggest advantage I see to the 1770 for example, is not the Tesla drivers or the heavy-duty build, it’s the much smoother response due … frequency response graphs, CSD waterfall plots, subjective gear reviews. S.P.L. Most measurement sites have some smoothing applied which 'irons flat' sharp peaks and 'wiggles'. The distortion in the bass is very high. Put the foam disc back on there and push the ring back in place. The fact that the 3rd harmonics are high is pointing towards clipping alike non linear behaviour. Cut a disc of felt somewhat larger in diameter as the actual driver and put some double sided tape on it. Aside from the bass and lower mids the sound is still ‘open’ but a bit less dynamic than in the ‘2’ setting. The Beyerdynamic Custom One Pro is a closed over-ear (circumaural) dynamic headphone. You can replace virtually every part even years after purchase making the CUSTOM Studio a long-term investment. A complete loss of seal (lifted pads) leads to a more ‘cuppy’ sound and loss of body and bass. The treble is sparkling but not sibilant and of better (more pleasant) quality and detailed. The COP does not have the infamous ‘treble spike’ so there is no sibilance nor any sharpness at all. IEM Graph Comparison Tool. Setting 1 (all ports closed): Collapsible: No It just does not excel in the typical audiophile qualities. It has good bass extension and a small boost (+3dB) around 90Hz. The mids are lacking in ‘clarity/presence’ and sound a little too ‘laid back’ for me. Perfect seal, wearing glasses with ‘thin’ arms, wearing glasses with ‘thick’ arms, bottom part of the pad slightly lifted so loss of seal. It isn’t thin nor rediculously thick. IEM Graph Comparison Tool (Premium) Headphone Graph Comparison Tool. If it sounds good, it is good! Perceived Acoustic Power Frequency Response (PAPFR) graph. The 80 ohm impedance is quite a bit higher than the Custom One Pros, so I'm wondering if they also sound different or … Beyerdynamic completely nails ear pad and headband comfort. It does not have the more ‘ethereal’ treble of the DT990 and DT1990 but also not the sibilance and sharpness these headphones have (without toilet paper mods). This is shown below in the red circle. A special feature of this headphone is the changeable sound which can be selected in four stages from an analytical sound to a rich, full bass via the "CUSTOM Sound Slider" bass reflex vents at the housing shells. 1 (all ports  closed as shown on the left in the picture), 2 (most neutral setting), 3 (more bassy) and 4 (all ports open as shown on the right  in the picture)Setting 1 is bass shy and hass a ‘warmish’ character to the mids. Settings 1, 2, 3 and 4. voltage: 1.3V T1 True elegance: discover the new T1, third generation. Mids sound clear ,’open’ and quite dynamic but also a bit ‘hollow’. The Custom One Pro is not the only headphone with a variable bass. This headphone is now called the Custom One Pro Plus(COPP). Max. Below an aid to help determining the sound character of headphones with relation to the frequency response. Once modified it has an addictive and dynamic full sound that does not appear to have many drawbacks. Approved by audio professionals for decades they deliver an extraordinary audio performance - ideal for complex musical arrangements. Clamping force: low-medium This setting is the most ‘neutral’ setting it hass. Both the pads and headband padding are (easily) replaceable. The Beyerdynamic DT 240 Pro headphones are great for studio use, a credit to their neutral-leaning frequency response, but can also serve as a pair of on-the-go cans. A special feature of this headphone is the changeable sound which can be selected in four stages from a linear or even analytical sound to a rich, vibrant bass via the “Custom Studio Sound Slider”. It is just slightly ‘lacking’ in the inital rise which is slightly lower (-2dB) than the applied signal but does not overshoot. Some musicians have the habit of using headphones as small ‘monitors’ hanging around the neck or have them lying on the desk and play them like small ‘monitors’. 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